The paintings are not documents.

They are fragments—quiet constructions that hold space for uncertainty. Each image is reduced to its essential elements so that structure, atmosphere, and duration do the work.

What connects the paintings is not subject matter, but tone: a shared interest in restraint, distance, and the subtle ways meaning gathers in ordinary places.

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  • Tramp Harbor

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  • The Far Shore

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  • Forest From the Trees

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  • Tillicum

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